Two advertisement illustrations below, both from Country Life, relate to the earlier part of the story. The first, from Easter 1915, shows a couple taking what by implication looks like a proprietary spin around the estate in their large stately Daimler. The message is that the car is at one with the solid and traditional values of the rural landscape beyond and is also fit for a wounded hero to travel in, whilst perfectly capable of being handled by a woman.
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The second is only a few years later, 1923, but the image is subtly different. The car is not just passing through the countryside but here is part of it and is a vehicle of work rather than purely leisure and with a farmer owner, albeit one of the more well-heeled variety.
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